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Stages of Production
The film set represents
only one part of the broader industry that contributes to film production.
The industry can be described as five distinctly different stages contributing
at different times to the larger production process. The Stages are:
Development
Pre-Production
Production Shooting
Post-production
Distribution and Exhibition
Development
Two to five people, including deal-makers, money people, producers, script
writers, directors, performers, agents, production designers - the concept
people. Development describes the time before a film begins shooting when
the producers, screenwriters and deal-makers work together to get a "green
light" on their idea or project from a studio, network or other source.
Pre-production
Ten to twenty people including casting, script re-writes, hiring of crew,
location scouting, set construction and costume coordination. During pre-production,
the crew plans and prepares (acquires, builds, etc.) all of the elements
which will be required during shooting.
Production shooting
Forty to two hundred people, including all the craftspeople/artists involved
with shooting the film, performers, drivers, caterers, etc. Production
shooting is the process of actually shooting the film. The type of project
will dictate the length of shooting time and the size of the crew. A feature
film generally takes 3 months to shoot, while an hour episode for television
takes generally 7-9 days.
Post-Production
Ten to twenty people including film editors, sound editors, film labs,
visual effects, musicians, etc. Post-production follows the shooting of
the film and involves editing, sound editing, special visual effects and
computer generated imaging.
Distribution and
Exhibition
After the editing is complete, it is up to the advertising and marketing
wizards to put the final touches on the project before distribution. For
some projects, audience testing may be done (and occasionally this will
result in re-editing the film). Distribution involves a variety of activities
aimed at achieving maximum availability of the film (including production
of trailers, scheduling of tours, etc.) while meeting the contractual
obligations to investors and partners. Distributors secure theatrical
and broadcast releases. There may be requirements for versioning, dubbing
or subtitling, as well as publicity arrangements for interviews and previews
for critics. The number of people will vary depending on the size of the
project, but marketing costs often equal the cost of production.
While each sector
is distinct and has its own time-frame, stress levels, concerns and priorities,
all of the sectors dovetail into each other. One does not happen without
the others, and all are required to realize the film. Many different and
varied areas of skill, craft and artistic expression are represented in
these five production areas.
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